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	<title>Grace Crannis</title>
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	<description>Grace Crannis</description>
	<pubDate>Thu, 16 Apr 2026 14:11:14 +0000</pubDate>
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		<title>Home no links</title>
				
		<link>https://gracecrannis.com/Home-no-links</link>

		<pubDate>Thu, 25 Apr 2024 16:30:15 +0000</pubDate>

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		<title>About</title>
				
		<link>https://gracecrannis.com/About</link>

		<pubDate>Thu, 16 Apr 2026 08:37:43 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1ca6d4b81c8efded36881cf5f494bf2cbb9f32530caa341d9d340b26b760b138/_INF2928_2.jpg" data-mid="247275708" border="0"  src="https://freight.cargo.site/w/1000/i/1ca6d4b81c8efded36881cf5f494bf2cbb9f32530caa341d9d340b26b760b138/_INF2928_2.jpg" /&#62;
	Grace is a designer, strategist and policy maker. I work in the middle of, and try and join the dots betwen, civic systems, culture and the public realm. 



CV
Current︎︎︎Head of planning engagement&#38;nbsp;@&#38;nbsp;Richmond and Wandsworth Councils︎︎︎Trustee @ Turf Projects, Croydon (since 2021)︎︎︎Associate Lecturer @ MA Design for Social Innovation &#38;amp; Sustainable Futures, University of the Arts London

Previous
︎︎︎Co-founder &#38;amp; director @ Syrup projects
︎︎︎PUBLIC PRACTICE / Future London Leader alum
︎︎︎Design Champion @ The Glass-House Community-Led Design (2018-2022)
︎︎︎Visiting Research Fellow @ The Open University (2018-2022)
︎︎︎Guest / visiting critic @ Royal College of Art, Nottingham Trent University, Falmouth University, University of Creative ArtsEducation&#38;nbsp;Information Experience Design (MA), Royal College of Art
Architecture (BA), Oxford Brookes University
Winner of The Pinapples Award 2025 for Community Engagement



	&#38;nbsp;︎ &#38;nbsp;info@gracecrannis.com
	

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		<title>CC design school</title>
				
		<link>https://gracecrannis.com/CC-design-school</link>

		<pubDate>Thu, 16 Apr 2026 14:11:14 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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Circular Cultures Design School 2026


&#60;img width="2500" height="1372" width_o="2500" height_o="1372" data-src="https://freight.cargo.site/t/original/i/f80f96a74ac1e5c849641d8152623998c2b5b013d56127a7100150e55d7fe6f5/_INF3230_4.jpg" data-mid="247342330" border="0"  src="https://freight.cargo.site/w/1000/i/f80f96a74ac1e5c849641d8152623998c2b5b013d56127a7100150e55d7fe6f5/_INF3230_4.jpg" /&#62;

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/2b50f398fcb038071744b81a700f1ccfb442c265c18f5c61a45ce1a69b03b9cb/_INF2575.jpeg" data-mid="247281606" border="0"  src="https://freight.cargo.site/w/1000/i/2b50f398fcb038071744b81a700f1ccfb442c265c18f5c61a45ce1a69b03b9cb/_INF2575.jpeg" /&#62;
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	The Circular Cultures Design School (CC Design School) is a capacity-building programme for emerging designers, cultural workers, architects creators, planners, and makers initiated by the British Council.
 The first Romanian school (Post Industrial Futures) took place in 2026 in the city of Timișoara, Western Romania. 
 I led Strand A: Community Line, 
which looked at ways people from different backgrounds and sectors can navigate politics and complexity to collaborate on possible community-led futures for Romania’s many abaonded industrial sites.

	Special thanks to Anabella Costache,&#38;nbsp;Ioan Marginean at Politehnica University of Timișoara and Ilinca Cristian, Tamina Bojoancă &#38;amp; Katia Stewart at the British Council. And to all the participants for joining the programme.
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		<title>art x planning</title>
				
		<link>https://gracecrannis.com/art-x-planning</link>

		<pubDate>Thu, 16 Apr 2026 13:21:58 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>Art x planning commissions


&#60;img width="1500" height="1000" width_o="1500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4228b6819654e737b23f3fafb110cef02bfd3d35cb0124a41e92514323ee5f7e/2025.03_Full-Moon-Walk-Ham-Lands.png" data-mid="247282846" border="0"  src="https://freight.cargo.site/w/1000/i/4228b6819654e737b23f3fafb110cef02bfd3d35cb0124a41e92514323ee5f7e/2025.03_Full-Moon-Walk-Ham-Lands.png" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2573264d454110b2eddd1552aab1556ec3368bb740be9a6b542130367ae5f927/walk-pic3.jpg" data-mid="247282853" border="0"  src="https://freight.cargo.site/w/1000/i/2573264d454110b2eddd1552aab1556ec3368bb740be9a6b542130367ae5f927/walk-pic3.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/46219577f0bfe45ff4e5b8d730c6bc035fb601f907effd03c29d5832fb34a0c1/2025.01.20_planning-workshop.jpg" data-mid="247282882" border="0"  src="https://freight.cargo.site/w/1000/i/46219577f0bfe45ff4e5b8d730c6bc035fb601f907effd03c29d5832fb34a0c1/2025.01.20_planning-workshop.jpg" /&#62;

	This set of projects are part of ongoing work I have commissioned to explore the role that artists can play to involve more people in the production of policy and communicate intagible or abstract ideas that shape our places. 
Deconstructed Disco ︎ Hanna Benihoud Studio, 2022
 
Sounds of the Borough ︎ Publica, 2022

Darkenss in Urban Spaces ︎ Kim Coleman and Harun Morrison, 2023-25

	L-R: a guided walk of Ham Lands with ecologist Connor Butler; glow in the dark lichen; development workshop with artists Coleman and Morrison, and Richmond Arts Service colleagues at Orleans House Gallery︎︎︎
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		<title>What is planning</title>
				
		<link>https://gracecrannis.com/What-is-planning</link>

		<pubDate>Thu, 16 Apr 2026 13:12:52 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>What is planning?


&#60;img width="2386" height="1700" width_o="2386" height_o="1700" data-src="https://freight.cargo.site/t/original/i/e5d6c61cd66371bda5940bcde362926f83deff4467d34adaa6d878cf1f48f496/booklet.jpg" data-mid="247279318" border="0"  src="https://freight.cargo.site/w/1000/i/e5d6c61cd66371bda5940bcde362926f83deff4467d34adaa6d878cf1f48f496/booklet.jpg" /&#62;
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	What is planning? tells the story of why we need to organise our towns and cities, why we create planning policy and how people can get involved in the process.
Concept, storyboard and text: me, supported by colleagues at Richmond &#38;amp; Wandsworth CouncilsIllustration and graphic design: Maddison GraphicFunded by a PropTech grant from the Department of Levelling Up, Housing &#38;amp; Communites. 
	First printed in March 2023, reprinted in 2025. The Richmond version was published in 2024.
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		<title>Syrup projects</title>
				
		<link>https://gracecrannis.com/Syrup-projects</link>

		<pubDate>Thu, 04 Jul 2019 19:44:32 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>Syrup projects


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	Syrup projects is a design studio and collaborative partnership established in 2016. Our projects included working with community groups, oral histories in East London, producing events and spending a lot of time thinking about people, play and places. As of 2024, the collaboration is on pause.&#38;nbsp;





From 2016-2019, we produced an annual (ish) print magazine:︎ Issue One: Sticky︎ Issue Two: Borders︎ Issue Three: Power
Clients: Southwark Council / Deptford X Festival / Eastside Educational Trust / The Migration Musuem / University College London / Live Cinema UK / Tate Exchange / The People’s History Musuem, Manchester / London College of Communication / Science Gallery London.
With Em B-W

Archive here
	Photos from a selection of projects. The B&#38;amp;W image is of Elephant &#38;amp; Castle in South London, taken by Phil Polgaze in 1991 and courtesy of the Southwark Archives.&#38;nbsp;
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	<item>
		<title>Take it to the corner</title>
				
		<link>https://gracecrannis.com/Take-it-to-the-corner</link>

		<pubDate>Thu, 16 Apr 2026 13:26:53 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

		<guid isPermaLink="true">https://gracecrannis.com/Take-it-to-the-corner</guid>

		<description>Take it to the corner


&#60;img width="1000" height="716" width_o="1000" height_o="716" data-src="https://freight.cargo.site/t/original/i/d59a1660729316b30884f91cc70cd6d666886e64eb9c6e17e0fcbac18e93bb0e/Thumb-2.jpg" data-mid="247279783" border="0"  src="https://freight.cargo.site/w/1000/i/d59a1660729316b30884f91cc70cd6d666886e64eb9c6e17e0fcbac18e93bb0e/Thumb-2.jpg" /&#62;

	Installation for a football and culture festival at Printworks in August 2019. Later displayed at the Tate Exchange as part of, ‘Who are ya!?’.
Sound recordings by&#38;nbsp;Paul Whitty with support from the Sound Diaries project at Oxford Brookes University. Fabrication by In Situ. With support from the Tate Exchange

Photography by Dan Weill

	Football flags have been an essential part of the material culture of football, from the grassroots to the professional game for over a hundred years. We embedded the sounds of grassroots football in ours: the sound of matches on village greens, on pitch rituals, to the distinctive on-pitch communication - get rid!, stick it in the mixer &#38;amp; studs brushing the grass. 
Installation text by Paul Whitty.
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		<title>New for old</title>
				
		<link>https://gracecrannis.com/New-for-old</link>

		<pubDate>Thu, 16 Apr 2026 13:34:15 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>New for Old Residency


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	Residency project supported by the British Council that focused on the experiences of women artisans who work with traditional crafts in Sa Pa and Hao Binh provinces in rural Vietnam. In collaboration with Tenaya Steed and our local partners Thảo Vu and Hûyen Nguyen.Chao Chi! was the film Tenaya &#38;amp; I made for the project which gives a small glimpse into the lives of some of the women we met. They showed us how they make the fabric that is their livelihood and we talked about how they keep their villages running, sex, what their husbands do and the way the landscape is changing with new hotels and development in the area. 
 


	We bought samples of hemp being processed at various stages, finsihed fabric and mass produced traditional costumes from a market. In Hanoi we bought new plastic stools and swaped them for old ones with restaurant owners. The items were displayed in an exhibition, On the Line, held at The Aram Gallery during London craft week 2017, curated by Martina Margetts. 
Exhibition Design by Mentsen.
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	<item>
		<title>Alternate showroom</title>
				
		<link>https://gracecrannis.com/Alternate-showroom</link>

		<pubDate>Thu, 16 Apr 2026 13:53:46 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

		<guid isPermaLink="true">https://gracecrannis.com/Alternate-showroom</guid>

		<description>Alternate Showroom Project


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	The Alternate Showroom Project was born from a desire to better understand spatial politics and how it is embedded in the makeup of the city. We aim to explore new ways to read spaces and navigate their complexity.Our aim is to [1] activate dialogue between communities and decision makers [2] question what happens in spaces any why [3] promote a greater understanding of material culture.With Émilie Loiseleur mostly in 2017, but also ever since.
	Our first research area was the Isle of Dogs, East London. L-R images from site visits, the publication and installation view for the project.

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