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	<title>Grace Crannis</title>
	<link>https://gracecrannis.com</link>
	<description>Grace Crannis</description>
	<pubDate>Thu, 16 Apr 2026 14:11:14 +0000</pubDate>
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		<title>Home no links</title>
				
		<link>https://gracecrannis.com/Home-no-links</link>

		<pubDate>Thu, 25 Apr 2024 16:30:15 +0000</pubDate>

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		<title>About</title>
				
		<link>https://gracecrannis.com/About</link>

		<pubDate>Thu, 16 Apr 2026 08:37:43 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1ca6d4b81c8efded36881cf5f494bf2cbb9f32530caa341d9d340b26b760b138/_INF2928_2.jpg" data-mid="247275708" border="0"  src="https://freight.cargo.site/w/1000/i/1ca6d4b81c8efded36881cf5f494bf2cbb9f32530caa341d9d340b26b760b138/_INF2928_2.jpg" /&#62;
	Grace is a designer, strategist and policy maker. I work in the middle of, and try and join the dots between, civic systems, culture and the public realm. 



CV
Current︎︎︎Planning engagement lead @ Richmond and Wandsworth Councils︎︎︎Critical Practice Tutor @ London School of Architecture︎︎︎Trustee @ Turf Projects, Croydon (since 2021)


Previous
︎︎︎Co-founder &#38;amp; director @ Syrup Projects
︎︎︎Associate Lecturer @ MA Design for Social Innovation &#38;amp; Sustainable Futures, University of the Arts London

︎︎︎Design Champion @ The Glass-House Community-Led Design (2018-2022)
︎︎︎Visiting Research Fellow @ The Open University (2018-2022)EducationInformation Experience Design (MA), Royal College of ArtInterior Architecture (BA), Oxford Brookes University





	&#38;nbsp;︎ &#38;nbsp;info@gracecrannis.com
	

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		<title>CC design school</title>
				
		<link>https://gracecrannis.com/CC-design-school</link>

		<pubDate>Thu, 16 Apr 2026 14:11:14 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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Circular Cultures Design School 2026


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	The Circular Cultures Design School (CC Design School) is a capacity-building programme initiated by the British Council for emerging designers, cultural workers, architects, creators, planners, and makers. The first iteration of the Romanian School, Post Industrial Futures, took place in 2026 in the city of Timișoara, Western Romania.

I led Strand A: Community Line, which looked at ways people from different backgrounds and sectors can navigate politics and complexity to collaborate on possible community-led futures for Romania’s many abandoned industrial sites. Our focus was the Colterm energy site, a centralised heating plant for the city with enormous, disused oil vats.

As a group we travelled to Reșița, an industrial town dominated by an enormous and now mostly disused iron and steel plant to see how community-led initiatives are reclaiming the vacant space.

At the end of the week-long programme, participants presented their strategies to work collaboratively to develop plans for the Colterm site.

	Commissioner: British Council
Host: Politehnica University of Timișoara

Special thanks to Anabella Costache, Ioan Marginean, Ilinca Cristian, Tamina Bojoancă &#38;amp; Katia Stewart. 
And to all the participants for joining the programme: Andreea, Paula, Răzvan, Emese, Sorina, Valentina, Iarina, Andreea, Ioana, Ștefania, Lavinia, Alexandra, Glad, Cătălina, Iris, Nicolae &#38;amp; Maria.

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		<title>art x planning</title>
				
		<link>https://gracecrannis.com/art-x-planning</link>

		<pubDate>Thu, 16 Apr 2026 13:21:58 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>Art x planning commissions


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	This set of projects are part of ongoing work I have commissioned to explore the role that artists can play in planning policy production. The projects aim to involve more people in the production of policy and communicate intangible or abstract ideas that shape our places.Darkenss in Urban Spaces ︎ Kim Coleman and Harun Morrison, 2023-25: a research commission exploring how intagible planning policies around light and dark spaces are experienced or understood by human and non-human inhabitants of Ham in Richmond. The project was commissioned with Richmond Arts Service with the aim of using artist-led research to give policy makers new insights.




Deconstructed Disco ︎ Hanna Benihoud Studio, 2022: a temporary public realm installation commissioned as part of the engagement programme for Wandsworth’s Night Time Strategy.
 
Sounds of the Borough ︎ Publica, 2022: a audio story project working with local residents as part of Wandsworth’s Night Time Strategy development.
	L-R: a guided walk of Ham Lands with ecologist Connor Butler; glow in the dark lichen; a report development workshop with artists Coleman and Morrison with Richmond Arts Service colleagues held at Orleans House Gallery︎︎︎
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		<title>What is planning</title>
				
		<link>https://gracecrannis.com/What-is-planning</link>

		<pubDate>Thu, 16 Apr 2026 13:12:52 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>What is planning?


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	What is planning? tells the story of why we need to organise our towns and cities, why we create planning policy and how people can get involved.
Concept, storyboard and text: me, supported by colleagues at Richmond &#38;amp; Wandsworth Councils. Illustration and graphic design: Maddison Graphic.&#38;nbsp;
	Funded by a PropTech grant from the UK Government. First printed in March 2023, the Richmond version in 2024.
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		<title>Syrup projects</title>
				
		<link>https://gracecrannis.com/Syrup-projects</link>

		<pubDate>Thu, 04 Jul 2019 19:44:32 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>Syrup projects


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&#60;img width="1994" height="1277" width_o="1994" height_o="1277" data-src="https://freight.cargo.site/t/original/i/5a0e9d66949ebe5c79c7133ba1c052fc57ce6de48992e4606de358beca29edae/banner_horizontal.jpg" data-mid="45995480" border="0"  src="https://freight.cargo.site/w/1000/i/5a0e9d66949ebe5c79c7133ba1c052fc57ce6de48992e4606de358beca29edae/banner_horizontal.jpg" /&#62;

	Syrup projects is a design studio and collaborative partnership established in 2016. Our projects included working with community groups, oral histories in East London, producing events and spending a lot of time thinking about people, play and places. As of 2024, the collaboration is paused.&#38;nbsp;





From 2016-2019, we produced an annual (ish) print magazine:︎ Issue One: Sticky︎ Issue Two: Borders︎ Issue Three: Power
Clients: Southwark Council / Deptford X Festival / Eastside Educational Trust / The Migration Museum / University College London / Live Cinema UK / Tate Exchange / The People’s History Museum, Manchester / London College of Communication / Science Gallery London.
With Em B-W

Archive here
	Photos from a selection of projects. The B&#38;amp;W image is of Elephant &#38;amp; Castle in South London, taken by Phil Polgaze in 1991 and courtesy of the Southwark Archives.&#38;nbsp;
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		<title>New for old</title>
				
		<link>https://gracecrannis.com/New-for-old</link>

		<pubDate>Thu, 16 Apr 2026 13:34:15 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

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		<description>New for Old Residency


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	Residency project supported by the British Council that focused on the experiences of women artisans who work with traditional crafts in Sa Pa and Hao Binh provinces in rural Vietnam. In collaboration with Tenaya Steed and our local partners Thảo Vu and Hûyen Nguyen.Chao Chi! was the film Tenaya &#38;amp; I made for the project which gives a small glimpse into the lives of some of the women we met. They showed us how they make the fabric that is their livelihood and we talked about how they keep their villages running, sex, what their husbands do and the way the landscape is changing with new hotels and development in the area. 
 


	We bought samples of hemp being processed at various stages, finsihed fabric and mass produced traditional costumes from a market. In Hanoi we bought new plastic stools and swaped them for old ones with restaurant owners. The items were displayed in an exhibition, On the Line, held at The Aram Gallery during London craft week 2017, curated by Martina Margetts. 
Exhibition Design by Mentsen.
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		<title>Alternate showroom</title>
				
		<link>https://gracecrannis.com/Alternate-showroom</link>

		<pubDate>Thu, 16 Apr 2026 13:53:46 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

		<guid isPermaLink="true">https://gracecrannis.com/Alternate-showroom</guid>

		<description>Alternate Showroom Project


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	The Alternate Showroom Project was born from a desire to better understand spatial politics and how the complexity of cities are embedded. Our aim is to [1] activate dialogue between communities and decision makers [2] question what happens in spaces and why and [3] promote a greater understanding of material culture.With Émilie Loiseleur mostly in 2017, but also ever since.Our first research area was the Isle of Dogs, East London. L-R images from site visits, the publication and installation view for the project.


	

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	<item>
		<title>Take it to the corner</title>
				
		<link>https://gracecrannis.com/Take-it-to-the-corner</link>

		<pubDate>Thu, 16 Apr 2026 13:26:53 +0000</pubDate>

		<dc:creator>Grace Crannis</dc:creator>

		<guid isPermaLink="true">https://gracecrannis.com/Take-it-to-the-corner</guid>

		<description>Take it to the corner


&#60;img width="1000" height="716" width_o="1000" height_o="716" data-src="https://freight.cargo.site/t/original/i/d59a1660729316b30884f91cc70cd6d666886e64eb9c6e17e0fcbac18e93bb0e/Thumb-2.jpg" data-mid="247279783" border="0"  src="https://freight.cargo.site/w/1000/i/d59a1660729316b30884f91cc70cd6d666886e64eb9c6e17e0fcbac18e93bb0e/Thumb-2.jpg" /&#62;

	Installation for a football and culture festival at Printworks in August 2019. Later displayed at the Tate Exchange as part of, ‘Who are ya!?’.
Sound recordings by&#38;nbsp;Paul Whitty with support from the Sound Diaries project at Oxford Brookes University. Fabrication by In Situ. With support from the Tate Exchange.Football flags have been an essential part of the material culture of football, from the grassroots to the professional game for over a hundred years. We embedded the sounds of grassroots football in ours: the sound of matches on village greens, on pitch rituals, to the distinctive on-pitch communication - get rid!, stick it in the mixer &#38;amp; studs brushing the grass. Installation text by Paul Whitty. 
Photography by Dan Weill.
	
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